FilmCultureAnimated Movies Do Not Need to Be ‘Fun for the Whole Family’By Jason KeheCultureGodzilla and Kong keep growing. But they’re no match for physicsBy Tom WardCultureThe Backward-Looking Futurism of Stewart BrandBy Jason KeheCultureThe fight for Studio Ghibli’s futureBy Will BedingfieldCultureBliss Is the Worst Kind of Open-Ended Sci-Fi MovieBy Jason KeheCulture26 Movies We Want to See in 2021—One Way or AnotherBy Angela WatercutterCultureAfter 2020, Live Events Might Not Look the Same. Good!By Angela WatercutterCultureHow Pixar’s Soul captures the essence of the afterlifeBy Amit KatwalaCultureWonder Woman 1984 is cheesy, fun and utterly doomedBy Amit KatwalaCultureThis physicist keeps the science in Marvel’s movies accurate (ish)By Tom WardCultureThe best horror movies everyone should watch at least onceBy WIRED InsiderCultureInside the sad, rapid collapse of the UK’s cinema industryBy Stephen KellyCultureIs seeing Tenet in cinemas worth the coronavirus risk?By Will BedingfieldCultureMaybe Netflix and Amazon Should Just Buy Theater ChainsBy Angela WatercutterCultureMulan, Tenet, and the Future of Going to the MoviesBy Angela WatercutterCultureForget Tenet, Proxima is the perfect film to reopen cinemasBy Sophie ChararaCultureHow Do You Make Movies in a Pandemic? Ask Horror DirectorsBy Angela WatercutterCultureSorry, there won’t be any good films until the US sorts itself outBy Amit KatwalaCultureHollywood has a secret weapon to help it restart after coronavirusBy Karen KrizanovichCultureLike it or not, pandemic drive-in entertainment is the future of funBy Madeleine SpeedCultureHow Tenet is keeping cinemas closed and messing up HollywoodBy Amit KatwalaCultureIn This American Revolution, Even the Oscars Have a RoleBy Angela WatercutterCultureThe best Pixar movies, ranked from worst to bestBy WIRED InsiderCultureDisney+ Should Offer the Star Wars Original Cuts—All of ThemBy Drew StewartMore Stories
