Steven Soderbergh’s App / Julia Sabot / Nov 7th, 2017 @ 9:20

Sold by its trailer as a gag reel, Tom Cruise’s strangest movie may be the most unsettling portrait of our tech and climate moment yet.

The deeply uncomfortable film forces audiences to confront what types of stories we tell ourselves about who has economic and political power.

What’s it like to be the richest man in the world? Find out for yourself.

Instagram’s long-form video update is more than a swipe at YouTube. It’s an attempt to capture the clip economy.

The comedian sees being online as similar to visiting the zoo. “I don’t need to interact with that,” he says. “It’s just a thing that I enjoy, and then I walk away.”

Five hauntings from the other side of technology.

Aaron Sorkin’s sequel to The Social Network attempts to shame a ruling class that has proved itself shameless.

Barbarian, The Fly, and Altered States are among the films deserving of your eyeballs this month.

A portable keyboard and kickstand make it a viable emergency workstation—even if iOS still gets in the way.

Apple’s original music player got many things right. Chief among them: It didn’t connect to the internet.

Tropical Storm Isaias is set to become the basin’s first hurricane of the season, bringing life-threatening rain and storm surge to the Gulf Coast.

The team behind director Takashi Yamazaki’s new film created their kaiju roars by setting up speakers on top of an outdoor dam. The people walking by weren’t prepared for what they heard.