Guillaume Hebert Gallery
Guillaume Hebert01Guillaume Hebert created this image by combining his photograph of an ordinary city street with Cole Thomas's painting *The Arcadian* (1834).
Guillaume Hebert02Guillaume Hebert superimposed a photograph of a basketball hoop with William Turner's painting *Avernus Lake, Aeneas and the Cumaei Sibylle* (1815) in this image.
Guillaume Hebert03Hebert used Photoshop to combine his photograph of a concrete wall with Lucas Van Valckenborch's painting *Mountainous River Landscape* (1580).
Guillaume Hebert04Here, a photograph of a nondescript building stands against Salvator Rosa's painting *Landscape in the Bay of Naples* (1637).
Guillaume Hebert05A photograph of a simple metal shed is placed against a background taken from Dughet Gaspard's *Landscape in the Roman Campagna* (1670) in this hybrid image.
Guillaume Hebert06For this image, Hebert placed his photograph of a stack of shipping pallets against a sky pilfered from Jean-Honoré Fragonard's painting *Le Rocher* (1764).
Guillaume Hebert07Hebert worked hard to match the lighting and color of photographs and paintings, such as in this grisaille hybrid of an urban photograph with the sky of Philips Koninck's *An Extensive Landscape with a Road by a River* (1655).
Guillaume Hebert08Here, Hebert juxtaposes his photograph of an ordinary road embankment against Claude Lorrain's *Landscape with Aeneas at Delos* (1672).
Guillaume Hebert09A photograph of a concrete dam is seamlessly melded with William Marlow's *View of Matlock Bath* (1780) in this dual-media image.
Guillaume Hebert10In this image Hebert combines a photograph of a building under construction with J.M.W. Turner's painting *Rain, Steam and Speed* (1844).
Guillaume Hebert11Eugène Delacroix's *Ovide Chez Les Scythes* (1859) looms behind Hebert's photograph of an anonymous industrial building in this hybrid image.
Guillaume Hebert12A photograph of a covered car sits in the foreground of painter Bertin Jean Victor's *Landscape* (1804).
Guillaume Hebert13For this image, Hebert photographed a recycling site digitally superimposed against Francesco Zuccarelli's *Classical Landscape with Small Waterfall* (1734).
Guillaume Hebert14An industrial dump is foregrounded against the painted mountains from Albert Bierstadt's *In the Hight Mountains* (date unknown).
