WIRED Ghost Stories
Five hauntings from the other side of technology.
Please Let the Internet Die
Online spaces are captured by oligarchs and saturated with slop—and they’re exacerbating humanity’s worst impulses. It’s time to start over.
Miles Klee
The Sixty-Year Mission Brings Star Trek’s Legacy to a New Generation
The documentary chronicles how Star Trek’s positions on everything from race to AI were way ahead of their time.
Max Evry
Pour One Out for the Leap Second
The metric might not mean much to laypeople, but leap seconds have been a source of contention in the timekeeping community for years. Now, they’re dead.
Brian Kahn
Digger Is a Box Office Flop. It Might Be the Most Relevant Film of the Year
Sold by its trailer as a gag reel, Tom Cruise’s strangest movie may be the most unsettling portrait of our tech and climate moment yet.
Carla Sertin
Trump Isn’t Even Good at TV Anymore
From Trump TV to a Shark Tank knockoff, the president’s latest entertainment ventures are a steep decline from his days on The Apprentice.
Miles Klee
Everybody’s Favorite Art TV Is Nearly Half Off Right Now
Samsung’s The Frame is the leading art TV for a reason. The matte display makes paintings look like museum pieces, not a glossy screensaver.
Harry Rabinowitz
Livestream Replay: Watch Uncanny Valley on Women, Tech, and Power
Missed our latest WIRED@Night event? Enjoy an evening of podcasting in San Francisco right here.
WIRED Staff
Artificial Roasts AI’s Creators—and Sends a Dark Warning About Its Dangers
From their dorky parties to their weird walks, the movie holds OpenAI CEO Sam Altman and other stakeholders with contempt, while demonstrating their recklessness.
John Semley
Wikipedians Believed AI Would Come and Go. They Were Wrong
In a world of AI Overviews, Wikipedia usage declines. But the real loss may be far more existential than website traffic.
Richard Cooke
The Nvidia Shield TV Is 7 Years Old. It Just Got a $100 Price Hike
The price of anything with memory is skyrocketing thanks to AI. Aging streaming devices are no exception.
Ryan Whitwam, Ars Technica
The Social Reckoning Already Feels Irrelevant
Aaron Sorkin’s sequel to The Social Network attempts to shame a ruling class that has proved itself shameless.
Miles Klee