Silovik in Power

At Nvidia’s GTC in Berlin, Huang unveiled the company’s new plug-in data center—the DSX Pod—as the key to unlocking Europe’s AI infrastructure lag. Oh, and autonomous humanoid robotics.

The artist’s macabre short works have been adapted into eerily freaky 30-minute bites for television. We got a sneak preview of the next episode airing on HBO Max.

Elizabeth Holmes’ husband is a major figure in Nathan Fielder’s new documentary. But who is Billy Evans—and is he really working on a second blood-testing company?

What’s it like to be the richest man in the world? Find out for yourself.

As the White House contemplates losing Congress, there has been an unusually early effort to find a Republican scapegoat.

The team behind director Takashi Yamazaki’s new film created their kaiju roars by setting up speakers on top of an outdoor dam. The people walking by weren’t prepared for what they heard.

Sold by its trailer as a gag reel, Tom Cruise’s strangest movie may be the most unsettling portrait of our tech and climate moment yet.

By keeping Skullcandy in Park City, Utah, Bose is betting that skate cred and budget pricing will reach listeners it’s been missing.

From Trump TV to a Shark Tank knockoff, the president’s latest entertainment ventures are a steep decline from his days on The Apprentice.

Elon Musk has assembled a presidential-level field operation this midterm cycle, underscoring the extent to which he has taken over the get-out-the-vote effort for the Republican party.

The death of a lab worker in Russia has authorities looking at whether plague played a role. Even if it did, though, the odds of it spreading are very low.

The deeply uncomfortable film forces audiences to confront what types of stories we tell ourselves about who has economic and political power.